User manual JBL LSR6328P

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LSR6328P Linear Spatial Reference Bi-amplified Studio Monitor  
RMThrCough thEequuseaolifzaatteisot CnD, sound level meter and Q  
template, the user can identify any dominant room mode  
over the tuning range from 26 to 96 Hz that effects the LF  
response at the listening position. The inverse curve can  
then be entered into the system’s electronics – to exactly  
compensate the offending peak. Using the RMC  
Calibration Kit*, the user is also instructed specifically  
what to look for, and potentially poor room locations can  
be avoided. RMC kit contains all items required to carry  
out the RMC system calibration process. *(Purchased sepa-  
rately. Kit is included with each LSR6312SP Subwoofer)  
Conforms to UL STD  
500, Certified to CSA  
STD E60065  
LiWneeaalrl kSnopwatthiaatlmRaneyfeloruedsnpceaekeDrsehsaviegnsimailnardmeMa-easurmeemntseonf tthTe edicrehctnsioquundeseld, the reected soundeld,  
surements but sound different. By going beyond simple  
on-axis frequency response measurements, JBL defines the  
ultimate performance specification for new systems – what  
it will sound like in your room.  
While other manufacturers use a single on-axis frequen-  
cy response measurement taken at one point in space, JBL  
measures monitor systems over a sphere that encompasses  
all power radiated into the listening room – in every  
direction. This data reflects 1296 times the information of  
a single on-axis response curve. Seventy-two measure-  
and the reverberant field, the entire sound field heard by  
the listener, is correlated to optimize response at the lis-  
tening position. In place of spectral smoothing used by  
some manufacturers, which actually conceals data, the JBL  
approach actually exposes flaws in systems, such as reso-  
nances, poor dispersion and other causes of off-axis col-  
The data shown below is a set of spatially measured  
graphs that are the heart of JBL’s philosophy.  
LSR6328P Response Curves  
. On-Axis Response  
2. Spatially Averaged Response  
over a range of +/- 30°  
Horizontal & +/- 15° Vertical  
3. First Reflection Sound Power  
4. Total Radiated Sound Power  
5. DI of On-Axis Response  
6. DI of First Reflections  

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