User manual Behringer high-precision digital 24-bit/96 kHz EQ/RTA mastering processor DEQ2496

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SHOW MESSAGE BOX  
5
.1 “MIDI connections” and 7.1 “MIDI implementation”.  
Here, you can determine whether the unit displays dialog  
windows or not.  
3
.6 I/O menu  
RTA/MIC INPUT  
On the first three pages of this menu you can determine the  
input/output configuration, while the fourth page allows you to  
adjust the output signal delay function, for example to make up  
for run-time differences, which occur when several P.A. speaker  
stacks set up at a distance from each other are used.  
Controls the input sensitivity of the RTA/MIC input. You can  
choose between LINE LEVEL, MIC LEVEL and MIC LEVEL +15 V  
(
phantom power).  
RTA/MIC LINE LEVEL  
When the RTA/MIC input is set to LINE, this parameter  
determines the maximum input level (for 0 dBFS (full-scale) from  
-
14 to +22 dBu).  
RTA/MIC MIC LEVEL  
When the RTA/MIC input is set to MIC, this parameter determines  
the sensitivity depending on the microphone connected (input  
sensitivity: -42 to -6 dBV/Pa).  
Fig. 3.20: I/O menu (page 1)  
On the first page you can select the DEQ2496’s input source  
with the large data wheel. You can choose between the analog  
MAIN INPUT, the digital inputs (DIGITAL XLR or DIGITAL OPT) and  
the built-in PINK NOISE generator. Use the NOISE GAIN parameter  
to adjust the volume level of the noise generator (lower data  
wheel). The setting range is from -60 to 0 dB. The upper data  
wheel controls the sample rate (CLOCK) used by the device.  
When the digital input has been selected, the sample rate cannot  
be changed, because the DEQ2496 tracks the sample rate  
contained in the input signal. When the PINK NOISE generator is  
on, the modules DEQ and DYN (not LIMITER) are switched off.  
MIDI SETUP (page 2)  
Fig. 3.19: UTILITY menu (page 2)  
The DEQ2496 can both transmit and receive MIDI data and  
thus works perfectly with other MIDI equipment.  
MIDI  
When this parameter is ON, you can display all subsequent  
MIDI configuration categories. When set to OFF, the DEQ2496  
does not respond to any MIDI data.  
MIDI CHANNEL  
Fig. 3.21: I/O menu (page 2)  
Here you can select the MIDI channel (1-16) on which the  
ULTRACURVE PRO transmits and receives MIDI data.  
On the second menu page you can determine the signal source  
for the AUX output and the digital outputs. Selectable options are  
the unprocessed input signal (MAIN IN or DIG. IN), the processed  
signal, post-graphic/parametric EQ (BEHIND GEQ/PEQ), the  
processed signal post-EQ and post-dynamics module (DYN), or  
the processed signal post-all modules, i.e. post-stereo imager  
(BEHINDWIDTH).  
CONTROL CHANGE  
The exchange of CONTROL CHANGE data refers to the GEQ  
module only (CONTROL CHANGE 1 - 31: left channel / CONTROL  
CHANGE 33 - 63: right channel).  
PROGRAM CHANGE  
Use the A key to select the consumer format (S/PDIF) or the  
professional digital format (AES/EBU). The upper data wheel  
controls the resolution, DITHER (OFF, 24-bit, 20-bit and  
PROGRAM CHANGE commands (both send and receive) are  
used to recall presets #1 to 64 as well as the default setting  
16-bit). The NOISE SHAPER function to be activated with the B  
(preset #0: INITIAL DATA).  
key reduces the dither-induced noise by moving it to a frequency  
range where it is less audible.  
SYSTEM EXCLUSIVE  
Your DEQ2496 can both transmit and receive sys-ex data  
system exclusive).  
+
If the connected sample rate does not correspond  
to the rate adjusted on the DEQ2496, this field  
shows the message UNLOCKED, which mutes all  
outputs of the DEQ2496.  
(
The transmission/reception of MIDI data can be enabled or  
disabled specifically (ON/OFF). To be able to receive software  
updates, RECEIVE SYSTEM EXCLUSIVE must be ON.  
DUMP EDIT (A key)  
This function allows you to transfer active settings via MIDI to  
another ULTRACURVE PRO or a computer equipped with a MIDI  
interface.  
Fig. 3.22: I/O menu (page 3)  
DUMP ALL (B key)  
The complete memory contents (all presets) of the  
ULTRACURVE PRO can be transferred via MIDI to another  
ULTRACURVE PRO or a computer equipped with a MIDI interface.  
On the third page you can determine the input signal for the  
real-time analyzer. Selectable options are MAIN IN (or DIG. IN),  
MAIN OUT, AUX OUT/DIG. OUT (XLR and optical) and RTA/MIC  
input. When you select the RTA microphone input, the A key  
switches the input sensitivity from MIC to LINE, and vice versa,  
while the B key enables or disables the phantom power supply  
required for condenser microphones (MIC +15 V), if the input  
sensitivity has been set to MIC.  
+
Caution: the reception of the complete memory  
contents from another unit will overwrite all  
existing settings! All saved presets will be  
retained.  
3. MENU STRUCTURE AND EDITING  
13  

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